Biskupović, Alen, assistant Professor in the field of theatre studies and a theatre critic. He graduated from the Faculty of Humanities and Social Sciences in Osijek in 2006 and in 2014 obtained a PhD degree in the field of Humanities with doctoral thesis: Drama Theatre Criticism in Daily Osijek Newspaper from 1902 to 1945. He taught various courses on history of drama and theatre at the Academy of Arts in Osijek since 2008 to 2017 and now works at Department for Cultural Studies at University of Josip Juraj Strossmayer in Osijek. He also works as a theatre critic for different journals and web pages Kazalište.hr [Theatre.hr], Republika [The Republic], Hrvatsko glumište [Croatian Theatre]… He is editor-in-chief of The Journal for Science, Arts and Culture Artos, and acted as an editor for several theatrological editions. He is active in various international and Croatian professional associations like Croatian Association of Theatre Critics and Theatre Scholars where he is secretary general, IATC, HUAmS, MH and volunteers at the association Naša djeca (Our Children) in Osijek. He has published numerous scientific papers, and has presented papers at numerous national and international scientific conferences.

Alexis Alrich's compositions are influenced by French impressionist music, minimalism and Asian music. She is also a classical music critic for the South China Morning Post.

Aparna R Nambiar是新加坡亞洲研究中心（Asia Research Institute）的博士後研究員。她於阿姆斯特丹大學、英國華威大學取得表演研究碩士學位，並在美國加州大學柏克萊分校取得戲劇、舞蹈及表演研究博士學位（2022）。她使用表演研究、當代人類學、全球化理論來分析被廣為稱作「傳統」和「當代亞洲」的不同表演類型。她的專書出版計劃探討如今迎向身處都會區、具有跨國移動力、文化上的世界主義者的觀眾們的南亞、東南亞傳統舞蹈形式。

她對深具創造力彈性的亞洲傳統舞蹈的研究，目前已發表三篇同儕審核期刊論文：〈危機中的變種〉（Mutations in Crisis）（Critical Stages, Issue 23, June 2021）、〈適應美學〉（The Aesthetics of Acclimatization）（Performance Research, June 2022）、〈婆羅多舞與佛教外交〉（ Bharatanatyam and Buddhist Diplomacy） （Inter-Asia Cultural Studies, 2022）。

聯絡信箱：aparna.r.nambiar@berkeley.edu

生於香港，2000年畢業於香港演藝學院後加入城市當代舞蹈團（CCDC）至2009年，離團後獲頒香港賽馬會音樂及舞蹈信託基金獎學金，遠赴美國霍林斯大學（Hollins University）修讀碩士。2012年重返CCDC。2023年於Northern School of Contemporary Dance任職講師至今。曾編創《舌尖上的靈魂》、《……是如何鍊成的？》及《恐．集》。《恐．集》更獲得香港舞蹈年獎2018傑出中型場地舞蹈製作。近期作品《Stay/Away》（與何靜茹合編）獲得香港舞蹈年獎2020傑出小型場地舞蹈製作。

資深藝術行政及舞蹈教育工作者。一九九九年獲亞洲文化協會（香港）利希慎獎助金往紐約大學修讀舞蹈藝術碩士；自一九九九年開始為學校舞蹈節擔任評判至今。

駐瑞典國家公共廣播電台的劇場和舞蹈評論人

Chris Blois-Brooke is the Founder & Director of Dialogue – The Community Performance Network and an applied theatre practitioner with experience in international drama education, community theatre and theatre for development. Chris’ ongoing research interests centre around the documentation of performing arts practice. Recent projects he has completed include managing the multimedia documentation projects at international events/congresses and facilitating participatory documentation of community circus, dance, theatre, and storytelling practice internationally. He has taught theatre-in-education programmes at both primary and secondary school level in addition to facilitating theatre workshops for young people around the world. Chris is also a theatre director with various credits, including two critically acclaimed five-star productions at the Edinburgh Festival Fringe. He continues to teach at undergraduate and postgraduate level on topics around performing arts documentation and holds a Master of Arts with Distinction in Applied Theatre from The Royal Central School of Speech and Drama, as well as a First Class Bachelor of Arts (Hons) Degree in Social Sciences from Durham University.

Graduated from Royal Holloway, University of London in MA Theatre (Applied Theatre), and earned his BA English degree at University of Central Oklahoma, Lee is a playwright, screenwriter, theatre director, acting workshop convener, and performer in Hong Kong. Lee is a researcher in heritage and immersive theatre.

多莉塔．漢娜跨足空間、視覺和表演藝術。她是位獨立設計學者和實踐者，主要活躍於紐西蘭奧特亞羅瓦（Aotearoa），她的建築和舞台設計探索戲劇作為一種戲劇藝術形式（空間中的行動）與建築形式（行動中的空間）間的關係。通過實踐和出版，她發展了「事件-空間」和「表演設計」這兩個術語，將空間展演性理論化為「空間化」。